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Full text of "History Of Ancient India"

{\rtf1\ansi {\colortbl;\red0\green0\blue0;\red0\green0\blue255;\red0\green255\blue255;\red0\green255\blue0;\red255\green0\blue255;\red255\green0\blue0;\red255\green255\blue0;\red255\green255\blue255;}{\fonttbl{\f0\froman\cpg0\fcharset0 Times New Roman;}{\f1\fswiss\cpg0\fcharset0 Arial;}{\f2\froman\cpg1252\fcharset0 Times New Roman;}{\f3\fswiss\cpg1252\fcharset0 Arial;}{\f4\froman\cpg1251\fcharset204 Times New Roman;}{\f5\fswiss\cpg1251\fcharset204 Arial;}{\f6\froman\cpg1250\fcharset238 Times New Roman;}{\f7\fswiss\cpg1250\fcharset238 Arial;}{\f8\froman\cpg1257\fcharset186 Times New Roman;}{\f9\fswiss\cpg1257\fcharset186 Arial;}{\f10\froman\cpg1254\fcharset162 Times New Roman;}{\f11\fswiss\cpg1254\fcharset162 Arial;}{\f12\froman\cpg1253\fcharset161 Times New Roman;}{\f13\fswiss\cpg1253\fcharset161 Arial;}{\f14\froman\cpg1255\fcharset177 Times New Roman;}{\f15\fswiss\cpg1255\fcharset177 Arial;}}{\stylesheet {\sbasedon222\f2\fs20 Normal;}}\paperw12240\paperh15840\margl1477\margr5006\margt1440\margb720 \sectd \sbknone\pgwsxn12240\pghsxn15840\marglsxn1477\margrsxn5006\margtsxn1440\margbsxn720\cols1\colsx60 \pard \plain \cbpat8\ql\li644\fi0\ri0\sb36\sa0 \f2\fs20{\b0\i0\cf1\charscalex100\expndtw-1\f2\cchs0\lang1033\fs21 ASVAMEDHA : PERSONAL ACCOMPLISHMENTS 247}\par \pard \plain \cbpat8\ql\li220\fi0\ri0\sb216\sa0\sl-234\slmult0 \f2\fs20{\b0\i0\cf1\charscalex100\expndtw-3\f2\cchs0\lang1033\fs24 Saka-Murundas\super 1\nosupersub  denotes either two separate ethnic types \expndtw8 or simply "lords of the Sakas," if taken as one word}\par \pard \plain \cbpat8\ql\li220\fi0\ri0\sb194\sa0 \f2\fs20{\b0\i\cf1\charscalex100\expndtw4\f2\cchs0\lang1033\fs23 The Ahamedha sacrifice}\par \pard \plain \cbpat8\qj\li137\fi500\ri65\sb220\sa0\sl-238\slmult0 \f2\fs20{\b0\i0\cf1\charscalex100\expndtw9\f2\cchs0\lang1033\fs24 Samudragupta is represented in the inscriptions \expndtw3 of his successors to have revived the horse-sacrifice \expndtw-2 which had long been in abeyance \i ^cirotsanmsvamedM-\expndtw6 hartuh \i0 ).* It must have been performed at the con-\expndtw3 Sk\super US1\nosupersub ??i fV\super 11\nosupersub ? ^\super htin\nosupersub S days, and after the incision of \expndtw1 the Allahabad pillar inscription, as it is not mentioned \expndtw4 therein.\super 3\nosupersub  He distributed large sums in charity durino-\expndtw3 this ceremony, and to commemorate it he issued ^old \expndtw0 coins showing a horse standing, before a sacrificial post \i\expndtw7 (yiipa) \i0 on the obverse, and on the reverse the queen \expndtw3 and the legend "Asvarncdhaparakramah."}\par \pard \plain \cbpat8\ql\li126\fi0\ri0\sb184\sa0 \f2\fs20{\b0\i\cf1\charscalex100\expndtw-2\f2\cchs0\lang1033\fs23 His personal accomplishments}\par \pard \plain \cbpat8\qj\li61\fi497\ri148\sb205\sa0\sl-238\slmult0 \f2\fs20{\b0\i0\cf1\charscalex100\expndtw5\f2\cchs0\lang1033\fs24 Samudragupta was a versatile genius. He was \expndtw1 proficient not only in war, but also in the sacred lore \i\expndtw0 Qastras). \i0 Himself highly cultured, he was fond of the \expndtw13 company of the learned. He is called "kaviraia" \expndtw7 which shows that he was a poet of no mean order' \expndtw-1 Besides, he cultivated the sister art of music, and his \expndtw3 attainments in this direction are confirmed by certain \expndtw8 coins depicting him sitting on a high-backed couch \expndtw3 and playing on the lute \i (vmd\\ \i0 The Allahabad pillar \expndtw4 inscription also says that Samudragupta "put to shame}\par \pard \plain \cbpat8\ql\li392\fi0\ri0\sb202\sa0 \f2\fs20{\b\i0\super\cf1\charscalex100\expndtw5\f2\cchs0\lang1033\fs21 1\nosupersub On   \b0 the Murundas, see C.C.G.D.,   Introd}\par \pard \plain \cbpat8\ql\li2351\fi0\ri0\sb0\sa0\sl-533\slmult0 \f2\fs20{\b0\i0\super\cf1\charscalex33\expndtw30\f2\cchs0\lang1033\fs68 Dynasty/\nosupersub  \i *****}\par \pard \plain \cbpat8\ql\li486\fi1508\ri0\sb0\sa0\sl-216\slmult0\tx1645 \f2\fs20{\b0\i0\cf1\charscalex100\expndtw-6\f2\cchs0\lang1033\fs21 l\super reca11\nosupersub  \super he\nosupersub *\super e\nosupersub  thatthe Bharasivas, Pravarasena\line \expndtw0 1{\charscalex100\expndtw0\tab }\expndtw6 c     \i *?& \i0\super had\nosupersub  \super celebl\nosupersub '\super ate\nosupersub d   the \i Ahamdha \i0 not}\par \pard \plain \cbpat8\ql\li0\fi83\ri0\sb0\sa0\sl-194\slmult0 \f2\fs20{\b0\i0\cf1\charscalex100\expndtw1\f2\cchs0\lang1033\fs21 w,v    \super g\nosupersub  \super befo3:e\nosupersub   Samudragupta.   Does  the   expression signify \expndtw3 that it was restored by the latter as a foil detailed Imperial rite? \expndtw-3 (\super see\nosupersub  \sub 3\nosupersub\super D\nosupersub\sub Q\nosupersub\super r\nosupersub - \super S\nosupersub --K-Aiyangar, \i Studies in Gupta History, \i0 pp. 44-45). \super\expndtw7 3\nosupersub  See H. R. Divekar, \i A.B.R.L, \i0 Vol. VII (1^6), pp. 164-6^}\par }